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Cannes Diaries: The chronicles of a festival (2)
For the love of Gagarin...do not miss the opportunity to see the flyer that transforms into a hat!
Cannes Diaries: The chronicles of a festival (1)
On the cover: On Madrid
El País
supplement, which we had already visited via Yago Ferreiro :-)
We share the
following page with 'Spain's greatest' like Nacho Vigalondo, César Velasco or
Chema García, to whom we have rented one of our cosmonaut's costumes recently, who knows for which evil purposes...
Scans are by the not normally high
considered Víctor Alonso, the intrepid Notedetengas.es reporter who gave us,
from SeminciTV, this interview with
El País
supplement, which we had already visited via Yago Ferreiro J
We share the
following page with 'Spain's greatest' like Nacho Vigalondo, César Velasco or
Chema García, to whom we have rented one of our cosmonaut's costumes recently, who knows for which evil purposes...
Scans are by the not normally high
considered Víctor Alonso, the intrepid Notedetengas.es reporter who gave us,
from SeminciTV, this interview with
Report on a morning of Spanish Cinema
Every year FAPAE organizes a market for buying/selling Spanish films towards the international market:
Today we were at the press conference that was held at Círculo de Bellas Artes.
This is how it went:
10:00- Pedro Pérez, who not long ago accepted his fault as a gesture of good intentions, starts scrolling technical data on takings and selling of Spanish Cinema. The data is horrible and I want to die of shame and try to sink on my chair, but no one seems to think like me. The press gets bored and a reporter asks "Pedro, will you give us the data on written paper later on?".
10:25- Álex de
11:45- The data flow continues. Álex de
12:00- Questions round. Journalists sharpen their tongues. Álex de
A journalist mentions some recent statements from Enrique Guardans. The reaction of Álex de
An efficient intern searches for the statements in the internet, prints them, and leaves them on the table in front of both of them. There is a silence. They take a look at it on a fraction of a second, and then change the subject.
12:10- The discussion seems to take a surrealistic diversion and we end up talking about the Spaniards liking or disliking oranges. De
Finally, Pedro Pérez considers the press conference has ended. They suck up to each other a little, and the meeting is adjourned. Once the recorders have been turned off, the FAPAE President mumbles something like: "I've never done this but, please, we need your help to improve the image of Spanish Cinema..."
I try to sink lower on my chair.
Finally I approach Álex de
Me.- Álex, can I take a minute of your time?
(He seats down and starts writing on his iphone)
Me.- Well, we are developing a project blah blah blah wadus wadus wadus... and I would really appreciate it if you could take a look at it.
Álex de
(I get up)
Álex de
Álex de
Álex de
End of Spanish cinema... I mean "day".
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